LISA HOUSTON WRITER
  • Home
  • Blog
  • Podcast
  • Singer's Corner
  • Dog Blog
  • Lisa's Novels
  • About Lisa
  • Contact Lisa
  • More...
    • Home
    • Blog
    • Podcast
    • Singer's Corner
    • Dog Blog
    • Lisa's Novels
    • About Lisa
    • Contact Lisa
  • Home
  • Blog
  • Podcast
  • Singer's Corner
  • Dog Blog
  • Lisa's Novels
  • About Lisa
  • Contact Lisa
Your Cart
Published on
June 14, 2018

GREG'S PLATTER

blog-of-writer-lisa-houston
Picture
I don’t know about you, but I was pretty self-centered in my twenties. Adulthood was just getting started, I had things to do, places to go. At least compared with how I feel now, I didn’t have too much imagination about how others really felt.

​And even now, I’m guilty of taking people for granted, loving them, but not always taking time to really appreciate them. I think I’m actually better at loving dogs than I am loving people. At least, I seem to have a more accurate sense of what they need and want, and also seem to have an almost infinite supply of patience and love when it comes to my four footed friends. So when my beautiful German Shepherd passed away suddenly, three months ago, I was devastated, of course. But I knew that I had filled her life to the brim with happy dog days. She played, she frolicked, she ate treats, she got belly rubs. All the time. Every day. And that’s a comfort to me, now that she’s gone.
Image description
I can’t exactly say the same for the sudden loss of my cousin, Greg, this past October. Of course I loved him, of course I thought about what a great guy he was, and was always thrilled to see him and catch up. But it wasn’t until he was gone that I really began to appreciate who he was. A lot of that came from seeing him through the broader lens of the love of his family and friends. His coworkers, his Hootenanny partners, his fellow Ducks fans. In some ways, it wasn’t only that I got more information about Greg, more data, but that because of the loss, I took the time (or the time took me) to reflect more deeply. 
​
One of the things I’ve been thinking about a lot since October, is Greg’s platter. 

I’d say we give pretty nice Christmas gifts in our family. But except for the kids, we mostly try to keep it modest. Scarves and best sellers, a big box of juice oranges. Those are pretty much the norm. And then one Christmas, about twenty years ago, there was the platter. 
         
Greg handed me a heavy package, and I couldn’t imagine what it was. When I opened it, I was somewhat stunned at what a special, lovely gift he had given me. I don’t remember what I said when I unwrapped it. But I do remember what Greg said. He said that he had been at a crafts fair, and when he saw it, he immediately thought of me, and how creative I was.

“I just thought you would like it,” he said. 

He was right. I like it.

And I’ve liked it for twenty years. For a while I kept onions on it, then it was for my snacks hodgepodge. When I did a photo shoot for a column on veganism, I dusted it off and loaded it with pretty vegetables.
And other times it was tucked away in a cabinet. But it’s always been there. And so has the memory of Greg’s attention, which is the greatest gift someone has to give, and one Greg gave of generously. On the annual Thanksgiving walk one year, I told him the whole convoluted plot of my first, deeply flawed novel. “Sounds cool!” he said with that smile of his. “I can’t wait to read it.” 

The loss left by Greg’s parting is commensurate with the magnitude of his spirit. Which is to say, it’s huge. And there’s no right way to deal with loss. I know I’ve reveled in the many pictures of him, and I’m glad his parents are organizing a project for more pictures, and more memories to flow. 

I just moved from a rather large upstairs unit of my house, into the quite small in-law apartment, so I did a considerable amount of downsizing. In imagining the new space, I knew I wanted a big picture of my German shepherd. I even paid to have it matted and framed. I love how she is here with me, standing guard, watching over me while I do the dishes.

​Pictures help. Memories help.

The hardest thing about moving is sorting through stuff, and figuring out what is important, and what isn't. Asking, “What really matters?” Greg’s passing has inspired that reflection as well, in spades. 

But back to the Christmas memory. Just imagine, really imagine, the mind of busy guy in his early twenties, springing for a quality gift like that for his cousin. How great a guy is that? 

Greg’s entire life was made up of thousands of instances of generosity like that. He was the embodiment of the idea that it only takes a moment to really consider other people, and only another moment to show that appreciation.

A lifetime of such moments strung together, becomes a lifetime of love.

I got rid of a lot of books, clothes, cluttery things I never really needed, or was hanging on to for the wrong reasons. They say when space is limited in the kitchen, try to have things that do more than one thing. No ice crushers or melon ballers. But rest assured, Greg’s platter made the cut, and stands in a place of pride in my new, downstairs home. I think I’ll put avocados on it, or bananas. But maybe I will use it for other things, too. For marbles, or pinecones. Who knows? After all, I’m a very creative person.

​I know that, because Greg Walsh told me so. 
Picture
Published on
December 23, 2017

Your Christmas Without: Dealing with loss over the holidays

blog-of-writer-lisa-houston
Image description
Many people have a tradition this time of year to make a gratitude list. Around Thanksgiving and into the winter holidays, people reflect, and consider all they have to be grateful for. And this is a wonderful practice. I, like many, even went through a period when I kept a daily gratitude journal, jotting down what I was most grateful for every night before bed.
           
But this time of year also has a way of reminding us of winters past, and marking clearly in our minds what we have lost. Some people are facing their first holidays without a loved one who has died. Others must confront their first holiday after losing their houses to wildfires or natural disaster. Or their first holiday being divorced, broken-up, unemployed, ill, or alone. For many of us, among the losses this year has been the loss of a faith in government, or even a confidence in fundamental public decency. News from many parts of the world is deeply troubling, and for some a sense of certainty or hope has been lost. For many, it has been a rough, painful year.

In this season of list making, I bristle a bit at the idea that a “best of” list has more value than a “worst of” list. More and more as life takes its toll, my idea of optimism is not to “focus on the positive”, but to love, as Zorba the Greek said, “the full catastrophe.”
           
I think there is a way of looking at loss that can have almost the same result as a gratitude list. It’s a different route to the same destination. Here’s what I mean.
One New Year’s Eve, I was performing in a musical show. Sitting in the dressing room as we applied our make-up, the actress next to me said, “I can’t wait for it to be next year.”
           
“Why?” I asked.
           
“Because,” she said, studying herself in the glass, “next year will not be the year I got divorced.”
           
Some events are so challenging, they come to define us. There was before, and after, and we are forever changed. And sometimes, as the year wraps up, we feel as if we will drown in the choppy waves of that change. As with my stage colleague, we may not deny the fact of a horrible event, but we  are ready to let go of who we were in the face of it. And there is truth in that. Whatever recovery is yet to come, whatever new trials and tribulations next year will bring, it will not be the year _________ happened.

Sometimes, when tragedy strikes, you have to take it head on, and say look at that horrible, horrible thing that happened. You can’t not dwell on the horribleness of it. It was so, so, horrible, wasn’t it? And in that way, looking at loss can force you to come face to face with something no gratitude list can give you: a realization of your own strength. Because the more horrible the loss, the more strength you summoned. Your losses may have been horrible this year, unthinkable even. But if you’re reading this, you survived them. Yes, you did. And as we say in the theatre, bravo!
           
This holiday won’t be the same as other years. It just won’t. Will it be happy? Sad? Tiring? Confusing, miraculous, or gratifying? All or none of the above?

I suppose none of us knows.


Whatever it will be, and whatever losses you are facing, I wish you well, for your first holiday without _____________.
           
                                                                    Love,
                                                                          Lisa

Written in loving memory of my cousin, Greg Walsh,
​ and my friend, Frank Poletti. 
​This was the year we lost them.
Picture
Published on
August 1, 2017

TV Likes and Not So Much...

blog-of-writer-lisa-houston
Image description
Just a quickie here, starting with some TV Stuff I’m tired of:
 
Opera playing in the background of the villain’s scene. Opera fans, in my experience, are not always serial killers and sociopaths. Sometimes, but not always. 
 
Women in power portrayed as emotionless bordering on cruel. I.e. the Dragon Lady.


The use of children as victims because it isn’t p.c. any more to constantly portray women being victimized, but kids can’t speak up to protest their portrayal, so that makes it OK. NOT!
TV Stuff I’m loving:
 
Increased use of landscapes and vistas in murder mysteries, shamelessly pilfered from Scandanavian shows but welcome nonetheless. The beauty of nature helps contrast and give time to process the violence of the story.
 
The celebration/normalization of weird. Because I’m a freak, you’re a freak, and we’re all just freak, freak, freaky. Yay.
 
The ability to binge. This is the Easter Play come full circle. One must pause only to get food, walk the dog, or go use the pissing pot. This is how we are meant to absorb stories. To dive in and let them wash over us. To read them by the fireside as the days pass away. To marvel at them, ponder them, and shout out when they finish: AGAIN!

Happy Watching.
 
 
 
 
 
 
Published on
March 8, 2017

Thoughts and Photos for Mom: Happy Women's Day!

blog-of-writer-lisa-houston
Picture
Image description
Today I’m looking forward to the Women’s Day celebrations, and I’m also honoring my mother.
            Last week I attended an event to celebrate Mom. The California Women Lawyers association was giving her an award. Named for trailblazer Rose Bird, who was not only the first female justice on the California Supreme Court, but the first female Chief Justice on the California Supreme Court. But beyond that, Bird was a woman of exceptional courage and principle. She opposed the death penalty, and overturned 56 death penalty sentences before she was voted out of office after a highly publicized campaign against her. And in a case we might be hearing more about as states continue their efforts to curtail the right to abortion, she ruled that poor women should be provided with free abortions.
            Mom was thrilled to be receiving an award named for this woman.
            It was a nice event, with a buffet dinner and a medium-sized room packed with about a hundred lawyers and Judges. My niece, who will be 14 in a month, was all dressed up and wanted to circulate in the crowd by herself. I loved watching this, and can’t help but think it had something to do with the fact that it was a very pro-female room.
            Mom’s acceptance speech included profound thanks to her clerk and bailiff, and the social workers she deals with daily, but also a rousing cry of outrage at the decimation of the judicial system, the budget cuts that make it more difficult to dispense justice, and the new administration’s cutting of the a legal services corporation for the poor. And as she spoke, I watched the faces of the women lawyers, many of them about my age, mid-life and working hard to do their thing. And I saw how much Mom meant to them. How they had watched her for years, and been influenced by a woman doing her job with grace and authority.
            Mom’s been a trailblazer in her own way, working hard to support drug recovery as an option to prison, and for the past ten years helping to establish a mental health court so that people receive treatment instead of jail. And I could tell it was meaningful to these women, what Mom had done.
            Mom didn’t have examples like that. Mom went to Harvard Law School in the 50’s, applying to the Law School because her first choice, the Harvard Business School didn’t accept women. (But it does now! Here's a picture of m
y cousin Kathleen, Mom’s niece, graduating from Harvard Business School in 2014.)
Picture
There were nine women in Mom's class at Harvard Law in the fall of 1956, one of whom was Ruth Bader Ginsburg. And when the dean welcomed them, he told these women: “You know, you’re taking up a space that should be filled by a man.”

​Even having heard the story all these years, I still find it hard to imagine such a thing.

So here she is now in 2017, 82 years old, happily married to Dad for 58 years, three grown children, four grandchildren, still serving on the Alameda County Superior Court, working with young public defenders, prosecutors, and social workers, trying to be fair and just and reasonable and kind to the people who come before her, both the “clients” as they call them, and the attorneys. California’s newest Senator, Kamala Harris, (who’s rockin’ the resistance in the Senate by the way,) Kamala served as a District Attorney in Alameda County for eight years, and argued in front of Mom, as did so many women who’ve gone on to do great things. And I think it’s been good for the men, too, to see a woman Judge who’s fair, diligent, and capable. And Mom’s all of those things.

So Happy Woman’s Day. I’ll probably go down to a midday rally later, to enjoy the activism that is inspiring our nation right now. But the real celebration is going on in my heart, as I give thanks for the greatest blessing a woman can have, an inspiring mother. 


Thanks Mom.
Image description
P.S. Mom's grandmother was born in Lithuania in the 1880's. Her family left there the year she was born, fleeing the persecution of Jews that was so rampant in Eastern Europe at the time. I had the chance to go to Lithuania to sing a few years ago, and one of my concerts took place at a Jewish museum. This is a photo of me taken next to a painting there. Is this woman one of my lost grandmothers?
 
Published on
February 23, 2017

This Land IS Your Land! (photo slideshow)

blog-of-writer-lisa-houston
I took these photos at the San Francisco Airport protest on January 29, 2017. Like protests at airports across the country, this one was peaceful, and spontaneous. A heartfelt response from thousands of people who were offended and distressed at the new president’s ban on travelers for seven mostly Muslim nations.
 
This slide show seemed like a good way to honor Woodie Guthrie, who on this day, February 23rd, in 1940, wrote the lyrics to his wonderful song, “This Land Is Your Land.”
 
And it is.
Gadget approves of my sign.
Emma Lazarus''s full poem "The New Colossus" on the back of the sign.
Riding BART, already making friends with fellow-protestors.
Getting started around noon.
Kid friendly.
There were lawyers all over the place, trying to help detainees.
Pretty much says it all.
Writers, this photo was taken by a literary agent I ran into by chance. Protesting is a great way to network: )
Marching & chanting: "No Ban, No Wall, Sanctuary for All!"
Koreumatsu v. United States ruled that internments of Japanese Americans was legal.
Law enforcement did a superb job.
They were non-reactive, non-escalating.
Polite and respectful.
Was able to get a smile out of this guy: )
The sit in has begun.
These guys were intimidating by virtue of costume, but also respectful and professional.
Inspiring moment listening to speakers.
Published on
February 17, 2017

Creativity, an Exposé

blog-of-writer-lisa-houston
Picture
Looping and strange, that’s how I’d describe creativity.
 
Looping because it isn’t linear, though bursts of it arrive straight out of nowhere, and produce something, start to finish. But looping means its always moving towards you or away from you, and that you can always catch the thread of it, or hop on the next time around.
 
Strange because, well, it isn’t “regular” or “normal”, even though it is utterly common and every human has experienced it. But it has an oddness, a peculiarity. A weird sparkle, which produces a reciprocating shimmer in its audiences. It's contagious.
 
Back to that hopping on next time around business. Just like sometimes you have to get on the wrong bus because it’s the only one running at that hour, and later you can transfer to the one you really want, sometimes with creativity you need to be a bit less particular. If your grand scheme has been thwarted, or has come to a disappointing, premature stop, you just hop on whatever’s running –a poem, a dance, a garden- and you ride that one a while. You’ll see, you’ll get where you’re going.
 
Creativity is the enemy to some. Some who weren’t allowed, or who were made fun of. Kids told not to sing, or who watched other, more openly creative types called “freaks” or no-good, jobless hippies. You can understand their caution. And all of us fall prey to those oppressions of the mind. Those ferocious insinuations that we should be doing something “real.”
 
Art is real. Craft is real. Creation is real.
 
But our connection to it can be evanescent. Tenuous. Short-lived. Fickle. Succumbing to an inflated vanishing whimsy or a diabolical internal persecution. Because The Creativity Killer lurks around corners and in alleyways waiting for all of us. Even those born in the land of the flower children. (Secret Encoded Message: the Killer is called Judgment.)
 
That’s why the first grab at the thread must be done gently, and maybe with a bit of stealth. Simply reach out slowly, and take the nearest loose end. Then, using a light squeeze between thumb and forefinger, ever so amiably, just give it a little tug.
 
Creativity.
 
It’s cousin is called “Magic.”


L.H.
Published on
February 16, 2017

Noir Movies for Dark Times

blog-of-writer-lisa-houston
Image description
I just got over the flu, and while I was sick, I found some good free movies to watch online. The slow pace and dark mood of most of these films is a good fit for a pensive mood, a tired body, or a weakened spirit.
 
I’ll start with two famous films by Hitchcock that are free online:
 
“The Paradine Case” (1947) is a slow-paced legal drama, a good, long movie that’s easy to watch when you’re tired. Great score by Franz Waxman, and a super cast including Gregroy Peck, Charles Laughton, and other great actors in smaller roles. Louis Jordan’s film debut. For some reason film played twice at this link. It’s really only one hour 54 minutes. Watch Movie.
 
“Rebecca” (1940) Joan Fontaine drives me crazy in this movie. She’s so mousy I fear she will crawl away into a hole in the wall. But oh, I love this film. Lawrence Olivier of course, but for me, Judith Anderson as Mrs. Danvers is one of the all-time great film performances. Waves crashing on the rocks. So Goth. Love this one. Watch Movie.
 
“The Suspect”(1944) is a good Victorian era noir with Charles Laughton. I think you have to like a no-frills noir to like this one, but I’d watch Charles Laughton read the phone book (yes, I’m old enough to remember when we had phone books) and there are some surprises here, on top of Laughton’s terrific turn as a conflicted husband. Watch Movie.

 “Where the Sidewalk Ends” (1950) is more of true, dark noir. It’s a tough-cop drama with Dana Andrews, who’s one of my all-time favorite actors as the cop.  Opening credits missing, but better quality than other full versions here. Watch Movie.
 
 “The Man Who Cheated Himself “ (1950) A scratchy old print here, but watchable and a total treat for San Franciscans, as it has some absolutely fantastic footage of the old city, including rooftop chase scenes and neat locales. Wonderful. Also, I’m a big fan of the star, Lee J. Cobb, who plays a detective with a moral dilemma. Watch Movie.

 Lastly, I’ll sneak in a light comedy. "Sitting Pretty" (1948) I put up with this silly premise here because I love Clifton Webb and Maureen O’Hara is so very lovely. Plus it’s a fun movie. A family comedy that was the basis for the TV show "Mr. Belvedere," this is pure cotton candy. Great supporting cast with some of Hollywood's best character actors of the era. Watch Movie.

I hope you don’t get the flu, and that you enjoy these old flicks.

L.H.

Published on
July 1, 2016

Photo Essay: A Different Kind of Release Party

blog-of-writer-lisa-houston
Picture
In an average year, The Marine Mammal Center of Sausalito, California takes in around 800 sick or injured animals. This past year, due in part to decreased food availability caused by global warming, they took in more than twice that number. Suffering from malnutrition, sometimes pneumonia or bacterial infections,  the animals are fed and treated at the center's facilities, which include its headquarters in the Marin Headlands as well as field operations in Mendocino, Monterey, and San Luis Obispo Counties.

The survival rate for the animals they take in - some of whom are victims of boat strikes, trash entanglement, and even gunshot wounds - is around 50%.

If it feels unbearable to dwell on the ways in which these creatures are harmed and even destroyed by human actions, don't despair. The 45 staff members and over 1,000 volunteers of the forty-year-old Marine Mammal Center provide an antidote to that hopelessness, offering us a clear example of how an organized, well-meaning group of individuals can make the most fundamental difference: the difference between life and death.And that is something to be celebrated. This past Saturday, June 25th, 2016, I was lucky enough to be present for such a celebration, as several of these animals were restored to their birthright of freedom, released into the water at Drake's Beach, about sixty miles north of San Francisco. 

A few facts:
  • The Marine Mammal Center (TMMC)was founded in 1975 by three locals. The location was a former Nike missile site, which means that now, a place once devoted to tools of war is dedicated to saving lives.
  • TMMC published its first scientific paper in 1979. The title was Nursing Care of Stranded Northern Elephant Seals. Today, forty percent of all scientific literature on the topic of marine mammals worldwide is generated by the center.
  • Over its forty year history, TMMC has rescued and rehabilitated over 20,000 animals, including the humpback whale, "Humphrey," who swam into San Francisco Bay in 1985, and then traveled 69 miles through fresh water up the Sacramento Delta. 
  • If you're a Lord of the Rings fan, you've heard the cries of the pups from the 2000 season, who were recorded at the center by the film's sound engineer, as a basis for the voices of the Orcs.
  • In 1993 the center opened a store and center on Pier 39, so if you can't make it out to the headlands, you can stop by Pier 39 to learn about the sea lions you're seeing around the docks, and maybe while you're at it, do some supportive shopping!

Now, on to the party...

The mid-morning sun burns in a clear blue sky as the vigorous wind scrapes away a layer of sand. A hundred or so spectators gather. Anticipation builds.
Picture
In pairs, arms stretched downward by the weight of their precious charges, the volunteers carry the animals down in crates and place them on the sand.
Picture
Mitch Fong, the center's Individual and Planned Giving Officer, has a gift of his own, for public speaking.  With charm and passion he welcomes us and explains the three tenets of the center's mission: Rescue and rehabilitation, scientific research, and education. In this photo, he reminds us that these are wild animals, and instructs us to keep our oohs and ahs to a minimum, and to back away from the animals if they decide to take a detour on their way to the water.
Picture
Out the sea lions come, stopping just briefly for a conference before heading quickly to the water.
Picture
Last one in...!
Picture
Picture
Picture
Picture
Picture
Picture
The seals, unlike the eager sea lions, take their time. Once out of the crates, they find their way into a kind of scrum at water's edge, where they linger for minutes before entering the surf.
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Volunteers called "boarders" stand between the animals and the spectators, helping to keep the animals moving in the right direction.
Picture
Even after the animals are in the water, the boarders make their way down the beach, just in case any animals have second thoughts.
Picture
Soon, all we can see is a lone head bobbing in the distance. Our eyes scan the blue. He's gone. No, there he is! And then he's gone again.
Picture
The crates stand empty. 
Picture
One of the crates is labeled "Sea Rider" and "Wun Wun." Wun Wun is a male California sea lion pup who was rescued April 30th from Sunset State Beach in Santa Cruz County. Sea Rider is a female California sea lion pup. She was rescued on May 23 in Monterey County. Both were successfully treated for pneumonia and malnutrition.
Picture
     The midday sun reclaims Drake's Beach for its own.
     We have been allowed, as those who stand at the shore have been for millennia, to eavesdrop on ocean and earth's perennially shifting conversation. But now we wander off. Towards home. Or a hike. Or a Saturday lunch in nearby Point Reyes Station. 
     A momentary loneliness passes over, anonymous and obscure until it abruptly identifies itself as the truest indication of a job well done. Namely, the absence of any trace that the job ever needed doing in the first place.

Picture
www.marinemammalcenter.org
Published on
February 9, 2016

Refugee, Immigrant, or Exile? A Look at Language on the Go

blog-of-writer-lisa-houston
By Lisa Houston
 
                        “Tell me, is love still a popular suggestion
                        Or merely an obsolete art?
                        Forgive me for asking this simple question.
                        I’m unfamiliar with this part,
                        I’m a stranger here myself.”
 
                                                          Ogden Nash (Lyrics to “Stranger Here Myself”, music by Kurt Weill)
 
As journalists struggle to describe vast numbers of people moving across Europe, a panoply of labels decorates the headlines. Many of these words leave behind monochromatic impressions which are inherently false when applied to a such a large group of people, whose intentions and situations are often quite disparate.
 
As always, word choice is playing a large part in our perceptions. Language has the power to direct our emotions, sculpt our opinions. And once language takes hold, it becomes a frame for our understanding, leaving things that lie outside its borders neglected or even denied.
 
Consider Germany, which last year accepted about a million refugees (Flüchtlinge). Even as the chancellor wins international praise for this policy, a strong anti-immigrant movement is on the rise and some interesting German words are attaching themselves to the situation. Many of them, not surprisingly, are compound words. 
 
Fremdhass
This word translates literally as a hatred of strangers, though it is often translated as xenophobia, which is a fear (phobia) of strangers.
 
Fremdfeindlichkeit
This means hostility to strangers, though it is also often translated as xenophobia.
 
Überfremdung
This is a rightwing word meaning “over-foreignization.” 
 
Side note: Spellcheck does not think that foreignization is a word. Actually, it is, but it refers to linguistic practices in translation. Namely: incorporating elements of the language of origin into a translation. Foreignization contrasts with domesticization. In the latter case, the translation adheres strictly to the secondary language. (Fortunately, language doesn’t respect national boundaries, and so-called "foreignization" is more or less the norm.)
Image description
It is always the writer’s responsibility to consider what will be evoked in the mind of the reader. I don’t want to write about a “riot” when it was a “tussle.” But if I don’t know if it was a riot or a tussle, I might say it was a “disturbance,” even though that doesn’t convey much. Writers also have to keep an eye on word count, trying to cram as much information as possible into each word. If you can cram two facts into one word, even better. But which word? Which of these labels does the job best to describe these diverse masses?
           
Before we pin down our thinking, let’s take a look at some of the most popular contenders.
 
Some Definitions
 
(Source: the oldest, hardest-to-lift dictionary I could get my hands on.)
 
Refugee
This noun comes from the French, refugie, which was first applied to the Huguenots, who migrated to Flanders and America. In 1685, the Edict of Nantes was revoked. Protestantism was, once again, illegal, and the Huguenots fled to avoid persecution. The first definition of refugee is “One who flees to a shelter or place of safety.” The second definition is more specific to its origins: “one who in times of war, political or religious persecution, etc. flees to a foreign power or country for safety.”
 
Emigrant
Noun. One who emigrates. From the Latin verb, emigrare, meaning to move away. To emigrate is to leave one country, state or region, and settle in another. The French noun émigré was used to describe the nobles who fled France after the revolution.
 
Immigrant
Immigrant is from the past participle of the Latin verb immigrare meaning to go into, or remove into. Specifically, it means to come into a new country, or region or environment in order to settle there. An immigrant is a person who immigrates.
 
The word immigrant is being misused quite often in the news lately, or at least it’s being used prematurely. When someone is attempting to leave a region, he or she is an emigrant. Once they are in a new country, then he or she is an immigrant of that country. The choice between emigrant and immigrant has mainly to do with the point of reference. If you are speaking mostly about the country of origin, then you might use emigrant. If your point of reference is the new country, you might use immigrant.
            He is a French emigrant. (He left France.)
            She is an American immigrant. (She came to America.)
Image description
Migrate (and migrant) are from the Latin verb, migrare, meaning to move, but there is no inclusion in that word of an intention to settle. For some time “Migrant” was rarely if ever used in these news reports, perhaps because it is assumed that the people fleeing do not intend to return to their native countries. But was that a reasonable assumption? I would imagine many of these people are in crisis situations, and their choices are more based on immediate safety than long-term intentions. And now, certain news outlets seem to be favoring the word migrant, perhaps because it is relatively denuded of political implication.
 
Asylum
Asylum, for our purposes, means refuge granted by a sovereign nation, whether given temporarily or permanently. There’s a big argument going on in Germany, as some voices want to curtail the three years of asylum offered to just one year, (and other extreme voices have more violent suggestions.) It is from the Latin, Asylum, meaning sanctuary, and the Greek, Asylon, meaning refuge. Both have the meaning of protection. An asylum is an inviolate space. Its previous use for institutions of mentally ill people held that meaning as well, since the stated purpose of such places was to shelter those people from harm. I include it here because many news outlets are referring to people as "Asylum-seekers."
 
Levantine.
This word probably would have been ubiquitous had this crisis taken place a century ago, but these days is nowhere to be seen in the media.
 
This word refers to someone from the Levant, meaning the east. One of the reasons the word “Orientals” went out of use is because it assumes a perspective. Its translations, “Easterners” implied a central point somewhere to the west. It came to be understood that the word was Euro-centric. That is my guess why we no longer use the word Levantine. Specifically, it refers to people from the regions of the eastern Mediterranean and Aegean seas, including Greece, and Egypt, as well as Syria, Lebanon, and Palestine, which now includes Israel. It may also refer to a black twill cloth, or a ship from that region, the Levant.
            Mark Twain used the word Levantine in his travel writings and Somerset Maugham uses it in his short story, Mr. Know-All. I first became aware of the root of this word because of a bread I like, called a Levant, which goes to the word’s origin: the Latin verb levare, to rise up. That’s how the word came to mean the Orient, because the sun “rises up” in the east. 

Maybe it wouldn't be such a bad thing if we referred to these people as Riser Uppers. We would at least be more aware of their incredible bravery and strength, instead of focusing solely on what we think (or fear) they want from us. Even the more accurate compound words that many media outlets have settled on, like “asylum-seekers” or “would-be immigrants” define the people by what they want instead of what they’ve been through, and the heroism many of them have shown in the face of terrible conditions.
 
There is a host of other words that are for the most part not being used, perhaps because they are not descriptive enough. But they are not inaccurate, and I want to list them here, so you can read them and just feel how differently they land on your mind, compared with some of the words we’ve been talking about. We’ve been so inundated by the media’s preferred choices, we may not even be aware how those choices have been erecting frames of understanding in our mind’s eye. Consider this little exercise deprogramming.
 
OK. Here we go. Forget everything you’ve heard or read, and just imagine…
 

A stranger
 
                Foreigner                     

Newcomer

                Visitor                            

 Guest

                 Traveler...
Image description
I believe we are asking more of our media these days, and that’s a good thing. We want them (us?) to be accurate, but we also want them to be humane. (Humane. Adjective. Having what are considered the best qualities of mankind; kind, tender, merciful, considerate, etc.) This is why I bristle when I hear the term “economic refugees.” It’s not compassionate to my ears. It makes it sound like a budgeting choice. And just what is a “political refugee” anyway? If someone is in fear for his or her life at the hands of a government, surely this is not about governance or political control of that person any more. It is a deeply personal, life-or-death issue and to be accurate, one must call that person persecuted or threatened.

Questions: 
When my Jewish ancestors fled what is now Lithuania in the 1880's because Jews in that region were experiencing massive, organized brutality, were they “political refugees?”

When people in Ireland fled The Hunger more than a century ago, were they “economic refugees?”
           
And did you feel differently reading that last sentence because I called it “The Hunger” which was the name used by those who suffered through it, versus calling it “The Great Famine” or the “Irish Potato Famine” which were names assigned to it by historians?
 
This brings us to what may be the most important part of the discussion: the right for human beings to define themselves. In modern usage, to “self-identify.” More and more we recognize this as an important right.
 
The anti-immigrant demonstrators in Dresden gather right outside of the opera house, which has beautifully decorated itself with banners and video messages of tolerance and inclusion. Even the inside of the program there is the message: Refugees are welcome here. On a recent visit, I attended a performance there and heard the quintessential German romantic opera, Der Freischütz.

The conflict in this morality tale is resolved by the appearance of the Hermit. This enigmatic character is similar to the Wanderer in Wagner’s Ring Cycle. He is a stranger who keeps himself apart. In Der Freischütz, he appears only in the final act, when someone is about to be punished. As an outsider to the group, it is agreed that his presence as “the far and wide” honors them, and they agree to respect his judgment, which is one of forgiveness and inclusion. It is a beautiful moment in opera, the healing of a community by the forgiving wisdom of a broader perspective.
 
In contrast, the demonstrators outside the opera house rail against “Überfremdung” while carrying flowers and chanting, “Wir sind das Volk!” We are the people. Its the usurping of a phrase that once carried a beautiful, peaceful message also on Monday nights in Dresden. In 1989, peaceful protesters chanted it as they gathered to topple the brutal East German regime. Now, those same words resonate on a different frequency, as the phrase is attached to anti-refugee, anti-immigrant, anti-other rhetoric that continues to escalate in violence.
 
We are the people, they chant now. We.  Implying, I suppose, that you are something else.
That’s the word we’ve been looking for, by the way, the one that fits every single one of these refugees, emigrants, immigrants, and asylum-seekers. People.
 
At a rally I attended this autumn in Berlin, this point was made poignantly by one of the speakers. All the major parties had a presence that night, which was the same night the anti-immigrant party had hoped to take its march through the historic Brandenburg Gate. The organized coalition (picture democrats and republicans sharing a stage!) prevented the anti-immigrant group from passing, and our shouts and whistles followed them as they were forced to take the long way around. As the sun set over the podium, an illuminated message appeared on the Gate: “Für ein Weltoffenes Berlin,” For a Berlin open to the world.
            Back to our choice of words:
       The speaker that night told the story of a young boy, who was asked by a reporter, “bist du ein Flüchtling?”
            Are you a refugee?
            “Nein,” the child answered, “Ich bin nur ein Kind.”
            No, he answered, I am only a child.
Picture
Published on
February 2, 2016

Downton Abbey Literary References: Season 6, Episodes 1-5

blog-of-writer-lisa-houston
Writer and creator Julian Fellowes has chosen a helluva year in which to set the final season of Downton Abbey, at least from a literary perspective.
            1925 saw the publication of F. Scott Fitzgerald’s masterpiece, The Great Gatsby, Virginia Woolf’s Mrs. Dalloway, and Theodore Dreiser’s An American Tragedy.
            The New Yorker was founded in this year, which also gave us DuBose Heyward’s Porgy and Bess and Gaston Leroux’s Phantom of the Opera. Though not of literary importance, it would prove critical to world history that Hitler’s Mein Kampf was also published in this year.             George Bernard Shaw was awarded the Nobel Prize for Literature and authors such as T.S. Eliot, D.H. Lawrence, and Ernest Hemingway practiced their craft as well.
            Also in 1925, the Paris Exposition introduced the Art Deco style to the world, and silent film captured the world’s attention with Chaplin’s the Little Tramp and stars such as Rudolph Valentino and Mary Pickford, and directors like D.W. Griffith and Erich Von Stroheim.             Meanwhile, in Tennessee, a high school biology teacher was on trial for suggesting that humans were evolved from other primates, to which Mary makes an oblique reference in episode four, saying, “a monkey will type the bible if you leave it long enough,” meaning she was bound to say something nice to Edith eventually, but only by chance. Kandinsky and O’Keeffe changed painting forever and Arnold Schoenberg, Alban Berg, and Louis Armstrong did the same for music.
            In episode two, when Mary tells a visitor who asks to see the agent, that she is the new agent for the estate, he replies, “Well it’s a changing world.”
            One is tempted to say, “no kidding!”
 
I’m going to try to get caught up on the first five episodes at once, so here, grouped by type of reference rather than the chronology of episodes, are some literary and cultural references, along with some fun vocabulary and phraseology.
           
Drinks before dinner.
The Lord’s remark to Carson about his before dinner drink, “I know you don’t approve,” he says, “but it’s quite ordinary in London now,” reflects the fact that alcohol consumption habits changed in the early 20’s in Britain as American style cocktails became popular. Prohibition prompted the emigration of a gifted bartender by the name of Harry Craddock, who began his reign at the American Bar at the Savoy.            
 
Riding astride.
Mary continues to be the proponent of current fashions as she sports handsome jodpurs to ride astride instead of sidesaddle on the hunt. Several years before, Coco Chanel (to whom we must attribute Mary’s hairdo, unless you prefer giving the nod to actress Louise Brooks) anyway, Coco made waves designing her own jodpurs. Mary remarks to her father that riding astride is less dangerous, and then takes a tumble (thanks to the blackmailing former hotel employee, boo hiss). We should all be grateful that she was not riding side saddle, as Mary’s comment was correct. Women who fell from their mounts while riding sidesaddle were often dragged to their deaths when their dresses became tangled.
            I for one am wondering if Mary will continue in Coco’s footsteps and show up from her summer vacation with a suntan.
 
A direct reference is made to the Bloomsbury Group, or “Set” as Rosamund calls it when she visits the apartment that once belonged to Mr. Gregson. “I met Virginia Woolf in this room,” Edith says, “and Lytton Strachey.” Strachey was author of The Eminent Victorians.
           
“Sic transit Gloria mundi” is a comment made on the visit of the estate sale of the neighbors, who have fallen on hard times. Translation: Thus pass the glories of the world.
           
Britain’s longest running women’s magazine, The Lady receives a mention, when Spratt gloats over Denker, perhaps suggesting that she’ll need the want ads soon enough. The Lady was first published in 1885.
 
Mary’s new beau speaks often of Brooklands, which was the home of British auto racing, but is also an important cite for British aviation, and now houses the Brooklands Museum. The first British Gran Prix took place in 1926, so perhaps the handsome Mr. Henry Talbot has a chance. Whether he has a chance with Mary or not, who can say?
 
Hillcroft College, which boasts Aunt Rosamund for its board member, is still in existence, as a residential college exclusively for women.
 
As the issue of Health Care Reform plays prominently this season, it is fitting that Neville Chamberlain showed up. Most famous for his role as prime minister (1937-1940), he signed the Munich Agreement in 1938, ceding a portion of Czechoslovakia to the Nazis, part of a policy of  “Appeasement” which obviously didn’t work. Chamberlain declared war on Germany after their invasion of Poland, but resigned in 1940. Though he had lost popularity, he remained a part of Winston Churchill’s cabinet, however he died of cancer in November of that year.
 
Back to the Health Care debate. Chamberlain’s time as Minister of Health (1923, 1924-1929, and 1931) was a time of reconsidering the effectiveness of the 1911 Health Insurance Act. A Royal Commission on National Health Insurance was appointed in 1924 and minor reforms were made under Chamberlain, but were mostly not effective. In 1926 a bill reduced the government’s contribution to insurance.
            Britain’s current National Health Service was founded in 1948.
            Opinion: The decentralization of medical authority is still a relevant topic, and though Lady Violet is somewhat vilified in this debate, she does make a good point about the importance of choice in personal health.
 
 
Vocabulary:
 
Almoner.
The word seems to be important this season, with Mrs. Crawley and Granny feuding about the possible changes for the local hospital. If you remember the word “alms” you will see that the meaning of “Almoner” is “one responsible for the distribution of alms,” though in this case the alms are services for the poor rather than simple monetary donations.
 
Scarpered.
Barrows uses this word contemptuously referring to the former housemaid, Gwen. “I dedicated my life to service and I’m about to be thrown out on my ear,” he says, “when she scarpered away first chance she got and now she’s lunching in the dining room.”
 
Wrong-foot.
To put someone in an embarrassing or difficult situation.
The rest of the staff try warn Barrows about revealing Gwen’s identity, suggesting, “His lordship won’t like it, your trying to wrong-foot her.”
 
Sawbones.
“Jumped up little sawbones” is how Denker refers to Dr. Clarkson. The term is slang for doctor, usually a surgeon who, well, saws bones. (I guess they had a skilled sawbones on hand for when the Lord’s stomach exploded. Crikey.)
 
Sayings, Quips and Quotations:
 
“All that is required for evil to triumph is that good men do nothing.” This is the line Mr. Molesley uses to try to persuade Miss Baxter to testify against the man who inspired her to commit theft. It is most often attributed to Irish orator and statesman, Edmund Burke, (1729-1797).
 
“Might as well be hanged for a sheep as a lamb.” Said in context of putting on a boutonnière for Carson’s wedding, meaning, “go for it!”
           
“All right, Madame Defarge, calm down and finish that mash.” Mrs. Padmore, referring to Daisy as Dickens’s famous French revolutionary character in A Tale of Two Cities. Mrs. Padmore also teases Daisy for her anti-classist views, asking, “I wonder if Karl Marx might finish the liver pate?”
 
Eating out casually was becoming more common in the 20’s, but previously health reasons were given often cited as grounds for preferring to dine at home. The Lord shows this attitude in his remark to Tom, who has eaten sandwiches at the station after dropping Mary and Anna off for their off-hours trip to London. The Lord says to Tom, “You’re a braver man than I am, Gunga Din,” slightly misquoting the last line of Rudyard Kipling’s poem, which reads, “You’re a better man than I am, Gunga Din.”
 
In episode five, Mary is referred to as “La Belle Dame sans Merci” which is a famous lyrical poem by John Keats. Keats wrote the poem while deeply in love, and having lost both his mother and brother to tuberculosis, which would kill the poet two years later. It is Mary’s lack of romantic interest in Evelyn Napier that earns her this label.
 
Mary enjoys a date with Mr. Talbot at the Café de Paris, which had opened in 1924 and become a place to be seen when the Prince of Wales chose it as one of his preferred haunts. Badly bombed during the blitz in 1941, it reopened after the war and is a trendy nightspot to this day.
 
Bright Young Things.
It’s the visit to the Café de Paris and watching the race at Brooklands that inspires the comment that Mary and Tom are “all members of the Bright Young Things.”
            The Bright Young Things was a social set of decadent bohemians in London in the 20’s, and included many writers, such as Nancy Mitford, Evelyn Waugh, and Edith Sitwell. It was famously photographed by one of its members, Cecil Beaton, who began photographing for Vogue in 1927 and went on to win two academy awards for costume design (Gigi 1958 and My Fair Lady 1964). He also won the academy award for best art direction for My Fair Lady. The genius behind the hats at the Ascot racing scene, Beaton was also a noted diarist.
            It was Evelyn Waugh’s 1930 novel, Vile Bodies that served as the basis for the film Bright Young Things (2003, dir. Stephen Fry).
 
Jane Eyre.
Mary makes a reference to Charlotte Brontë’s novel, Jane Eyre, saying, “’Mrs. Carson.’ It’s like Jane Eyre asking to be called Mrs. Rochester.”  Jane Eyre was a governess who married her master and I thought perhaps the comment was meant to reveal some jealousy on the part of Mary, losing her beloved Carson to Mrs. Hughes, as the comment does have an implication that Mrs. Hughes has married above her station.
 
Dogs of War.
Doctor Clarkson informed Lady Violette of Denker’s ill-manneredness on the street, prompting Lady Violette to give Denker her notice. When Mrs. Crawley suggests that Dr. Clarkson wouldn’t have wanted her to lose her position, and Lady Violette says that he shouldn’t have sent the letter if that were the case. I believe it was Mrs. Crawley who replied, “When we unleash the dogs of war, we must go where they take us.”
            The popular expression “the dogs of war” has its origin in Shakespeare’s Julius Caesar. Brutus has just instructed Antony that in his upcoming eulogy, Anthony should praise Caesar, and not blame his murderers. Left alone, Antony ponders the horror of the murder, and bemoans the fact that he is “meek and gentle with these butchers.” He then gives a prophecy that “a curse shall light upon the limbs of men.” It is Caesar’s voice, looming over the earth which will, in a sense, supervise these horrors. As Anthony wraps up the monologue:
            “In a monarch’s voice,
            Cry ‘Havoc!’ and let slip the dogs of war.”
            Anthony doesn’t comply with Brutus’s instruction in the following scene, using sarcasm to undercut his line “and Brutus is an honorable man” in his famous “Friends, Romans, Countrymen, lend me your ears” oration.
 
A few more good lines:
 
“A problem shared is a problem halved.”
 
“A peer in favor of reform. It’s like a turkey in favor of Christmas.”
 
As usual, my favorite lines have been from Lady Violette, who urged Spratt to get to the point by saying, “If you were talking in Urdu, I couldn’t understand you less.” And when Denker says that she shouldn’t be friends with Dr. Clarkson now that “he’s turned against you!” Lady Violette replies: “If I withdrew my friendship from everyone who had spoken ill of me, my address book would be empty.”
 
More fun stuff:
 
Brooklands Museum 
 
Side saddle costume demonstration Video 
 
Cecil Beaton Slideshow 

Brando as Marc Anthony Video 

Previous 2 of 4 Next

Archives

  • March 2026 (1)
  • December 2024 (2)
  • January 2024 (1)
  • December 2023 (5)
  • October 2019 (1)
  • May 2019 (1)
  • June 2018 (1)
  • March 2018 (2)
  • December 2017 (1)
  • August 2017 (1)
  • March 2017 (6)
  • February 2017 (7)
  • July 2016 (1)
  • February 2016 (2)
  • November 2015 (4)
  • October 2015 (3)
  • September 2015 (1)
  • May 2015 (1)
  • March 2015 (1)
  • February 2015 (5)
  • November 2014 (1)

Categories

  • blog-of-writer-lisa-houston (36)
  • dog-blog-of-german-shepherd-quotdolly-laquot (12)

Blog

Stuff that's on my mind about books, movies, opera, dogs, and life.